The Influence of Art History on Modern Design – CubismTweet
If in the previous posts I wrote about the influence of art history on modern design and I posted about the Gothic Style – Medieval Period, the Baroque Style – Western Art and the Art Nouveau Style – Modern Art, today’s article is about one of the most influential art movements of the twentieth century’s modern art: Cubism.
If you want to read more about Modern Art, click here.
When and where appeared the Cubism movement?
Because of the emerging of new technologies like photography, the motor car, cinematography and the airplane, artists felt the need to a more radical approach, a new way of seeing that will expand the possibilities of art like the new technologies were extending the limits of communication and travel. This new way of seeing was called Cubism, also known as the first abstract style of modern art.
Dynamism of a Soccer Player (1913) – Umberto Boccioni (1882 – 1916)
There seems to be different opinions regarding the moment when cubism began. Some say that the year 1907 is its starting point. This was also the year in which Picasso was introduced by the poet Apollinaire to Braque. These two great painters developed their ideas on Cubism around the year 1907 in Paris and it’s widely known that their starting point was a common interest in the later paintings of Paul Cezanne.
Les Demoiselles d’Avignon (1907) – Pablo Picasso (1881 – 1973)
In the same year, before meeting Braque, Picasso completed the painting Les Demoiselles d’Aviginion in his Monmartre apartment house which was called the “Bateau Lavoir”. This work is very important because it’s considered to be the painting which foretold the future development of Cubism, and along with Cezanne’s influence appeared a new search due to the suggestions from African black sculpture.
Le Portugais/The Emigrant (1911 – 1912) - Georges Braque (1882 – 1963)
The Cubist painters rejected the inherited concept that art should copy nature, or that they should adopt the traditional techniques of perspective, modeling, and foreshortening. They wanted instead to emphasize the two-dimensionality of the canvas. So they reduced and fractured objects into geometric forms, and then realigned these within a shallow, relief like space. They also used multiple or contrasting vantage points.
Violin and Glass (1915) – Juan Gris (1887 – 1927)
Which were the phases of Cubism?
In the development of Cubism there were three phases: Facet or Pre-Cubism, Analytic Cubism, and Synthetic Cubism, although some divided this movement only in Analytic and Synthetic Cubism.
1. The first phase of Cubism – Pre-Cubism
The first phase, which was also known as pre-cubism lasted until the year 1910 and it is under the strong influence of Cezanne and his famous characteristic of reproducing nature in paintings by using cylinders, spheres and cones. Picasso and Braque, which were painting in this period characters, landscapes and still life, were not satisfied with the attempts of renouncing on perspectives and aim at reducing the motifs to fundamental geometric forms.
Still Life with Chair Caning (oil on canvas, 1912) – Pablo Picasso (1881-1973)
2. The second phase of Cubism – Analytical Cubism
Analytical Cubism is considered to be one of the major branches of the Cubism and it was developed in the 1910 – 1913 period. In comparison to Synthetic cubism, in this phase, the cubists “analyzed” natural forms and they reduced forms to basic geometric parts to create a two-dimensional picture plane.
In this phase, color was almost non-existent except for the cases when the artists used monochromatic schemes that included blue, gray and ochre. Analytic cubists focused more on forms like spheres, the cylinder and the cone to represent the natural world. Because of these features, the works created by Picasso and Braque had stylistic similarities.
Violin and Jug (1910) – Georges Braque (1882 – 1963)
3. The third phase of Cubism – Synthetic Cubism
The last movement of Cubism and the second as importance, Synthetic Cubism was developed by Picasso, Braque and Juan Gris and others in the 1913 – 1919 period. This cubism movement was characterized by the introduction of different surfaces, textures, papier colle, collage elements and a great variety of merged subject matter. This was the beginning of collage materials introduced as an important ingredient of fine art works.
Still Life with Mandolin and Guitar (1924) – Pablo Picasso (1881 – 1973)
In comparison to Analytic Cubism, which was an analysis of the subjects (pulling them apart into planes), Synthetic Cubism is actually pushing several objects together. Less pure than Analytic Cubism, this movement has fewer planar schematism and less shading, creating flatter space.
The Influence of African Art on Cubism
The artists of the cubist movement considered that the traditions of the Western art were overrated and the remedy they applied to revitalize their work was to draw on the expressive energy of art from other cultures, especially from the African art.
The inspiration to cross-reference art that came from other cultures it’s believed to come from Paul Gauguin, a French post-impressionist artist, whose prints and paintings were inspired by the native cultures of Tahiti and the Marquesas Islands, places where he spent his final years.
Head of a Woman (1907) – Pablo Picasso and right: Dan Mask
A controversial element of early Cubism was the grotesque face that evoked African masks. The exaggerated features of these masks represented a hallmark of Cubism. The artists tried to interplay elements in their works and to create a sort of detachment in technique, resulting in grotesque, exaggerated forms.
Which are the most important characteristics of Cubism?
In Cubism, proportions, organic integrity and continuity of life samples and materials objects are abandoned. The artist’s canvas resembled more like a field of broken glass, some critics said.
The shattering of objects in focus into geometrical sharp-edged angular pieces and the geometrically analytical approach to color and form baptized the movement into “Cubism”. Actually, despite what some vicious critics might have said at that time, a closer look to cubism art works reveals a very methodical deconstruction into three dimensional shaded facets and some of them are caving others convex.
The Bargeman (1919) – Fernand Leger (1881 – 1955)
Cubism considers the “whole” images perceived by the retina artificial and conventional, based on the influence of the past art. This movement rejects these images and recognizes that perspective space is an illusory, a rational invention or a sign system that comes from art since the Renaissance.
Factory, Horta de Ebbo (1909) – Pablo Picasso
In cubism works, instead of an image of an external world we are given a world of its own, analogous to nature but built with different principles. Cubists seek to reproduce different perspectives simultaneously, like they might be seen by the mind’s eye. It tries to mimic the mind’s power to abstract and synthesize its different impressions of the world into new wholes.
Which are the main domains where Cubism emerged?
1. Cubism in painting
Picasso and Braque are credited with creating this new visual language, but this movement was adopted and further developed by many painters like Fernand Leger, Juan Gris, Marcel Duchamp, Robert and Sonia Delaunay, Albert Gleizes, Roger de la Fresnaye and Jean Metzinger.
Nude Descending Starecase No. 2 (1912) – Marcel Duchamp (1887 – 1968)
The Cubist painters did not embrace the concept that art should copy nature, or that they should adopt the traditional techniques of modeling, perspective and foreshortening. The artists wanted to emphasize the two-dimensionality of the canvas so they fractured and reduced the objects into geometric forms and then realigned them within a shallow, relief like space. A specific feature also was the use of multiple or contrasting vantage points.
2. Cubism in sculpture
Although it was primarily associated with painting, Cubism also exerted a great influence on the 20th century sculpture. The most important Cubist sculptors were Raymond Duchamp-Villon, Alexander Archipenko and Jacques Lipchitz, identified as the first Cubist sculptor.
Walking Woman (1912) – Alexander Archipenko (1887 – 1964)
It’s believed that cubist sculpture developed in parallel to Cubist painting, having many of the same artists. For example, some sources name the first cubist sculpture Picasso’s 1909 Head of a Woman or Otto Gutfreund’s Anxiety, which were showed in Prague in 1912.
Head of a Woman (1908) – Pablo Picasso
Just like in Cubism painting, the style has its origins in Cezanne’s reduction of painted objects into component planes and geometric solids (spheres, cubes, cylinders and cones). Like in painting, cubism sculpture had its course by 1925, and it became an influence and contributed fundamentally to Constructivism and Futurism.
3. Cubism in architecture
Some people might say that the relationship between Cubism and architecture was at best a tentative and it involved the application of Cubist decorations to stripped Neoclassical buildings. However, in Prague, the Czech Cubist group (Chochol, Gocar, Capek, Hofman, Janak and Novotny) managed to do more than treat the facades with prismatic ornaments.
The basic features of Cubism, however, which included asymmetrical compositions, transparency, interpenetration of volumes and simultaneous perception from different points of view were enshrined in the Modern Movement and played an important part in its evolution.
House of the Black Madonna, Museum of Cubism in Old Town Prague
The most representative feature of cubist architecture was the multi-faceted facade of a building, which was also a way of articulating a vision of space, especially the relation between inside and outside. In other words, the cubist design should not celebrate the solid tectonic qualities of the material but to call those into question, establishing an ambiguous relationship between the space on the inside and on the outside of the structure.
Is contemporary art work still influenced by Cubism?
Although Cubism was born in France it emigrated across Europe and integrated with the artistic consciousness of several countries. This movement emerged as futurism in Italy, vorticism in England, Suprematism and Constructivism in Russia and Expressionism in Germany and it also influenced several of the major design and architectural styles of the 20th century and it still prevails to this day as mode of expression in the language of art.
Cubism is far from being an art movement confined to art history, its legacy continues to inspire the work of many contemporary artists. Cubist imagery is regularly used commercially but also a significant number of contemporary artists keep drawing upon it stylistically and, more importantly, theoretically.
Some said that the latter contains the clue as to the reason for cubism’s continuous fascination for artists. When it came to image making, photography was an increasingly viable method and Cubism attempts to take representational imagery beyond the mechanically photography and to go beyond the limits of traditional single point perspective perceived as though by a totally immobile viewer.
As an example of the contemporary feature of Cubism, the questions and the theories which arose during the initial appearance of the movement are, for many representative artists, as current today as when first proposed.
Some artists believe that Cubism will have durable consequences because it influenced all the important movements in modern European and American art. Without Cubism we couldn’t imagine the collages of Max Ernst, the surreal work of arts of Joan Miro, the art of Roy Lichtenstein and, seeing the subject in ensemble, pop art, the “ready made” art work of Duchamp and finally, the whole abstract art.
The influence of Cubism in contemporary designs, especially from the features of Synthetic Cubism, seems to come from a structural design of the picture plane, the grid. We can also notice the use of reducing the pictorial space and figures to hard-edged geometric forms.
Cubism in Contemporary Designs
A representative characteristic that Cubists proposed was that your sight of an object is the sum of many different views and our memory of an object is not created from one angle, as in perspective, but from many angles selected by our sight and by movement. Keeping that in mind, contemporary artists create paradoxically abstract in form graphic designs and not onlyÂ with an attempt at a more realistic way of seeing.
As in the art works of the representatives of famous Cubists, contemporary artists create designs with people, objects, places, but not from a fixed point of view. Their art works often show you many parts of the subject at the same time but viewed from different angles and reconstructed into a composition of planes, colors and forms. The purpose of this feature specific to Cubism is to reconfigure the space: the front, the back and the sides of the subject will become interchangeable elements in the design of the work.
Cubism in Modern House Designs
This modern movement was also influential in contemporary architecture. The Cubist houses are being recognized by having many geometric lines, sharp edges and many facades with fantastic perspectives from different angles.Â Even the colors used in the house designs are monochrome or very limited.
Cubism appeared around 1907 in Paris and its parents were Pablo Picasso and Georges Braque.
Cubism was the first abstract style of modern art.
A Cubist painting ignores the traditions of perspective drawing and shows you many views of a subject at one time.
The Cubists introduced collage into painting.
The Cubists were influenced by art from other cultures, particularly African masks.
There are two main distinct phases of the Cubist Style: Analytical Cubism (pre 1913) and Synthetic Cubism (post 1913)
- Cubism influenced many other styles of modern art including Orphism, Futurism, Vorticism, Suprematism, Constructivism and Expressionism.
- Cubism continues to inspire the work of many contemporary artists, which still use the stylistic and theoretical features of this style.